Mackie 1402VLZ4 14-Channel Compact Analog Mixer with Onyx Mic Preamps
The 1402VLZ4 is the VLZ4 you reach for when a small desk has run out of inputs. Six Onyx mic preamps, fourteen line inputs and a second aux send let you cover a band, a panel or a project studio without patching around the mixer, and the whole thing still fits under one arm.
- 6 Onyx mic preamps with an ultra-wide 60dB gain range and phantom power for condenser mics
- 14 high-headroom line inputs with +4/-10 operation control
- 3-band EQ at 80Hz, 2.5kHz and 12kHz
- 18 dB per octave 75Hz low-cut filter on the mic input channels
- 2 aux sends plus level, pan and PFL solo on every channel
- 2 stereo returns for an outboard effects unit or a playback source
- ALT 3/4 stereo bus with a control room and phones source matrix
- 60mm long-wearing log-taper faders and sealed rotary controls that resist dust and grime
- 12-segment stereo meters for high-resolution level reading
- Built-Like-A-Tank steel chassis with a powder-coat finish, rack mountable using the optional rack ear kit
- Multi-voltage power supply for use worldwide
VLZ4 is Mackie's compact analog range, and the 1402VLZ4 sits at the point where a small mixer starts behaving like a proper console. More channels, more routing and more tonal control, without the footprint of a full desk.
Six Onyx preamps
The mic channels run Mackie's flagship Onyx preamps with an ultra-wide 60dB gain range, so quiet dynamics get the gain they need and hot sources still have somewhere to go. Mackie publishes 128.5 dB of dynamic range, +22 dBu line input handling and distortion under 0.0007% across 20Hz-50kHz. Improved RF rejection makes it a sensible choice for broadcast rooms full of phones and transmitters.
Tone shaping and routing
- 3-band EQ fixed at 80Hz, 2.5kHz and 12kHz
- 18 dB per octave 75Hz low-cut filter on the mic input channels
- 2 aux sends, with level, pan and PFL solo on each channel
- 2 stereo returns for effects processors or other stereo sources
- ALT 3/4 stereo bus for added routing flexibility
- Control room and phones source matrix
Built for load-ins
The chassis is rugged powder-coated steel and the rotary controls are sealed against dust and grime. Faders are 60mm log-taper, and the 12-segment stereo meters plus high-contrast markings give you at-a-glance feedback in a dark room. Add the optional rack ear kit and it drops into a rack, and the multi-voltage supply travels with you.